Works

Books

• Pedersen, Jan B. W., H. P. Lovecraft: Midnight Studies (Oxford: Peter Lang Publishers, 2024).

• Pedersen, Jan B. W., Balanced Wonder: Experiential Sources of Imagination, Virtue and Human Flourishing, (Lanham: Lexington Books, 2019).

Book chapters

• Pedersen, Jan B. W., ‘Etik & Patientinddragelse’, Etik i Sygeplejen’, Lisbeth Aaskov Falch & Benjamin Bøgeskov eds., (Copenhagen: FADL’s forlag, 2022).

• Pedersen, Jan. B. W., ‘Weird Fiction: A Catalyst for Wonder’, Wonder, Education & Human Flourishing, Anders Schinkel ed., (Amsterdam: VU University Press, 2020).

• Pedersen, Jan. B. W., ‘The Importance of Wonder in Human Flourishing’, Wonder, Education & Human Flourishing, Anders Schinkel ed., (Amsterdam: VU University Press, 2020).

• llkjær I. & Pedersen, Jan. B. W., ‘Værdier, etik og moral i sygepleje’, Sygepleje, patientinvolvering, bind 3, Steen Hundborg ed., (Copenhagen: FADL’S Forlag 2019).

Edward William Cocks - Balloon Over Cliffs.

Essays and articles

• Schinkel, A., Wolbert, L., Pedersen, J. B. W., de Ruyter, ‘Human Flourishing, Wonder, and Education’, Studies in Philosophy and Education, (Springer 2022).

• Pedersen, Jan B. W., ‘Lovecraft’s Garden: Heart’s Blood at the Root”, Lovecraft Annual No. 16, (New York: Hippocampus Press, 2022).

• Pedersen, Jan. B. W., ‘You haven’t Done Anything’, Hippocampus 2020/21, (Durham: Trevelyan College, Durham University, 2021).

• Pedersen, Jan. B. W., ‘Now will you be good: Lovecraft, Teetotalism & Philosophy’, Lovecraft Annual No. 13, (New York: Hippocampus Press, 2019).

• Pedersen, Jan. B. W., ‘Howard Phillips Lovecraft: Romantic on the Nightside’, Lovecraft Annual No. 12, (New York: Hippocampus Press, 2018).

• Pedersen, Jan. B. W., ‘On Lovecraft's Life-long Relationship with Wonder’, Lovecraft Annual No. 11, (New York: Hippocampus Press, 2017).

• Walker J. W. P., Clinnick D. T. G., Pedersen, J. B. W., ‘As Clear as the Hand in Front of Your Face’ Rock Articles, Issue No. 17, 2017.)

• Walker J. W. P., Clinnick D. T. G., Pedersen, J. B. W., ‘The Universality of Profiled Hands in Paleolithic Art’, World Art. 2016).